| Frist Center for the Visual Arts | |
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Nashville's Art-Deco style Frist Center was originally the city's main post office building |
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| Established | 2001 |
| Location | 919 Broadway Nashville, TN 37203 (United States) |
| Type | Art Center, Art museum [1] |
| Director | Susan H. Edwards[2] |
| Website | Frist Center for the Visual Arts |
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US Post Office
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| Location: | 901 Broadway, Nashville, Tennessee |
| Area: | 2.5 acres (1.0 ha) |
| Built: | 1932 |
| Architect: | Marr & Holman |
| Architectural style: | Moderne, Art Deco |
| Governing body: | U.S. POSTAL SERVICE |
| MPS: | Marr and Holman Buildings in Downtown Nashville TR (AD) |
| NRHP Reference#: | 84000580[3] |
| Added to NRHP: | November 15, 1984 |
The Frist Center for the Visual Arts is an art museum in Nashville, Tennessee.
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The museum is housed in what used to be the main post office designed by Marr & Holman Architects for the city of Nashville, which had been built in 1933-34 near Union Station, since most mail at that time was moved by train. As the city grew, the need for a more up-to-date main facility was obvious. When a new main post office was built in 1986, the historic old facility became a downtown branch using only a small portion of one floor.
In the early 1990s Thomas F. Frist, Jr., and his family, through the charitable Frist Foundation, took up the task of converting the old post office into an art museum. They implemented an interesting public/private venture between the Frist Foundation, the U.S. Postal Service, and the city of Nashville. The museum opened in April 2001.
In 1999 the City of Nashville took ownership of the building from the U.S. Postal Service for the purpose of creating the Frist Center for the Visual Arts. A renovated post office branch was opened in the basement in 1999.
The art center consists of approximately 24,000 square feet (2,200 m2) of gallery space, used to present visual art from local, state and regional artists, as well as major U.S. and international exhibitions. [1]
As a non-collecting museum, the Frist Center does not have a permanent collection in the truest sense; rather, the museum focuses on creating exhibitions as well securing travelling exhibitions from around the country and the world.
Current schedule:
Warhol Live: Music and Dance in Andy Warhol's Work June 24–September 11, 2011
Over the course of his meteoric career, Andy Warhol (1928–1987) used the medium of music to transform himself from fan to record album designer, producer, celebrity nightclubber, and rock impresario. Warhol Live presents a comprehensive exploration of the artist’s work as experienced through the lens of music and dance. This exhibition juxtaposes major pieces (Elvis, Marilyn, Liza Minnelli, Grace Jones, Mick Jagger, Debbie Harry, the Self-portraits and the Campbell's Soup Cans) with lesser-known works inspired by music and the performing arts (album covers, illustrations, photos and Polaroids), along with films and sound recordings, which provide a visual and aural score to Warhol’s extraordinary work and life. The exhibition includes nearly 300 works, including objects and documents from the artist’s personal archives.
Gather Up the Fragments: The Andrews Shaker Collection May 20–August 21, 2011
Gather Up the Fragments focuses upon the collection of Faith and Edward Deming Andrews, who from the 1920s through the 1960s formed a large and important assemblage of Shaker art and pioneered Shaker studies. This comprehensive exhibition includes more than 200 objects—furniture, drawings, household objects, textiles, baskets and kitchen implements—and will provide insight into this intriguing religious group that valued many ideas that resonate today such as equality, pacifism, community, sustainability, responsible land stewardship, innovation, simplicity, and quality in work.
Vesna Pavlovic: Projected Histories June 24–September 11, 2011
This exhibition will include photographs taken in Vesna Pavlovic’s native Serbia and the United States over the last two decades. Focusing on sites and events of cultural significance, Pavlovic examines the power of photography to shape the perception of history as an expression of people’s dreams and aspirations by projecting and conflating self-images and national ideologies. The exhibition begins with a selection of photographs that were taken in Serbia during the 1990s and explore the failure of utopian modernism under Communism while posing questions about the veneer of normalcy maintained during the civil war and allied bombardment. It concludes with an installation of recent works that considers the values and consumerist ideologies relating to contemporary American life.
Vesna Pavlovic: Projected Histories is organized by the Frist Center for the Visual Arts.
Connecting Cultures: Children's Stories from Across the World April 15, 2011–March 27, 2012
In 2010, the Frist Center for the Visual Arts partnered with ten Nashville organizations that represent cultures from around the world. The goal was to create an exhibition of artworks depicting the children’s stories of different traditions. Ten artists and the Frist Center’s community outreach team led workshops in which the artworks on view in this gallery were created. Connecting Cultures: Children’s Stories from Across the World begins with the premise that the stories of children simultaneously reflect unique cultural values as well as perspectives that are shared by people worldwide.
All the artworks were created by an intergenerational group of more than two hundred participants. With the guidance of the lead artists, participants acquired and developed skills relating to composition, visual storytelling, and ways of using visual art techniques as a way of reflecting and interpreting narrative stories. It was interesting to discover that even within the same culture there were often diverse interpretations of a single story, often leading to strong discussions amongst the participants. The artworks created for this exhibition are as diverse as the communities, participants, and stories themselves.
Boaz Vaadia Sculpture Through February 1, 2012
Asa & Yehoshafat, a work by New-York based sculptor Boaz Vaadia, is installed near the Demonbreun Street entrance to the Frist Center. Born in Israel in 1951 and raised on a farm where he developed a deep love for the earth, Vaadia creates works in stone and bronze which celebrate the spiritual connection between humanity and nature.
A primary goal of the center is in supporting arts education. The center provides services such as teacher education, summer arts camps, community outreach programs, and various other programs designed to further arts education.
As soon as visitors approach the Upper Level of the Frist Center, they can hear the lively sounds of visitors having… fun in the award-winning Martin ArtQuest Gallery, the Frist Center’s colorful interactive space. Often called the heart and soul of the Frist Center, ArtQuest’s hands-on stations invite visitors to become artists as they learn. Visitors of all ages are invited and encouraged to create prints and collages, paint and sketch, or learn about photography, architecture, and the essentials of art, including depth, color, light, and perspective. The activities at the stations change as the Frist Center’s exhibitions change, so there is always something new to try.
The Martin ArtQuest Gallery is not just for kids. Everyone is welcome to come in and learn about and make art. It’s not at all unusual to see a grandparent, parent and child all participating in the same engaging activity.
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